This project showcases a whole-house design in the New Chinese style—join BOSNIE’s editorial team to explore this case.
The living room features an overall white palette, with warm-toned gray marble-patterned surfaces establishing a cozy, warm ambiance throughout the space. The sofa accent wall showcases a traditional Chinese landscape ink painting, elegantly segmented by dark wood strips—adding visual depth and dimension compared to a full-wall ink painting treatment. The TV accent wall uses black-and-white striped stone veneer, creating a deliberate dialogue with the ink painting on the sofa wall. Traditional Chinese design elements are further emphasized through the wall sconces and side tables flanking the TV wall.
The dining area’s accent wall combines square and circular motifs: deep-toned wood strips frame the square sections, while the circular forms lend lightness and grace—another subtle nod to Chinese aesthetics. A full-length buffet cabinet ensures ample storage for the combined living and dining areas. Soft furnishings complement the architecture: where the hard finishes lean warm, cooler tones—including well-placed accents of blue and green—balance the composition.
The master bedroom ceiling retains its original structure, painted white and accented with minimalist plaster moldings. Walls are finished in light-gray latex paint, and flooring features rich, dark-brown solid hardwood with traditional undertones. Like the living room, the bed wall is clad in a full-pattern wallpaper—but here, the motif is realistic and distinctly contemporary. Soft furnishings lean more toward Chinese sensibility: a dark solid-wood bed frame pairs with matching bedside cabinets; their round, antique-bronze hardware epitomizes the refined elegance of New Chinese style.
The study foregoes elaborate ceiling treatments—its original ceiling is simply painted white, enhanced with understated plaster moldings. One entire wall is dedicated to built-in cabinetry for storage, with an open shelving section centrally positioned to serve as a streamlined study zone. Cabinet panels use a clean, timeless black-and-white palette aligned with modern aesthetic principles.
Though compact, the children’s room radiates warmth and charm. Its domed ceiling—consistent with other rooms—enhances perceived spaciousness, while concealed curtain tracks (integrated into a custom valance box) ensure visual neatness. The accent wall blends pink and gray: the pink half evokes softness and comfort, while the gray half anchors a built-in study desk—lending focus and formality to the learning zone. Every soft-furnishing choice reflects childhood innocence and joyful spontaneity.
That concludes our showcase of this whole-house customization project in the New Chinese style. If you enjoyed it, feel free to leave a comment for BOSNIE’s editorial team!
